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A studio portraitist turns the lens on flamboyant alter egos in his first solo U.S. museum exhibition at Princeton.
In the aftermath of the civil war in Nigeria that devastated his Igbo community, Samuel Fosso was sent in 1972 to live with an uncle who was a shoemaker in Bangui, the capital of the Central African Republic. Dissatisfied with cobbling, Fosso apprenticed with an Igbo photographer down the street. Three years after his arrival, he opened his own portrait studio. He was 13….Click here to read full article
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