| Application Opens: 6th August 2018
Application Deadline: 7th September 2018
Workshop Payment Due: 22nd October 2018
TSA Art Writing Master Class is an intensive programme designed for art writers and journalists with keen interest in advancing their craft of art writing. It is set up to drive interactions between accomplished art professionals and a new generation of art writers, and to redirect critical thinking and writing in the West African art scenes.
The Master Class will offer:
– practising art writers/journalists the opportunity to hone their skills in art criticism.
– a one-on-one session with the workshop facilitator Prof. Okeke-Agulu, a leading art critic and art historian.
– in-depth research on the craft of writing about the arts.
– developing content, argument, and a compelling voice in art writing.
To be considered for the master class, applicants are required to:
– have a portfolio of published writings in print and/or online publications.
– be an art writer and/or journalist from West African countries only.
– have a post-secondary qualification.
– fill an application form. (download from here)
– be proficient in both written and spoken English as classes will be taught in English language only.
Applicants must submit ALL of the following documents in a single PDF file:
• Filled application form.
• CV of the applicant (not more than 2 pages).
• Two samples of published writings about art or a similar field (i.e. photography,
dance, performance, video art, etc.). Each sample writing could be an opinion,
review, short essay, or a blog post not exceeding 1500 words.
• A statement of intent to participate – 500 words maximum.
All application materials are to be submitted as an attachment in one properly
formatted pdf packet to firstname.lastname@example.org.
Participants will be selected by independent art professionals who are not members
of TSA Cultural Foundation and TSA Art Magazine.
Only selected applicants will be notified and required to pay a participation fee of N35,000. A grant is available for one to two exceptional applications. This grant covers only the participation fee. Deserving applicant(s) will be notified during the selection phase in mid-September.
Please note, participants are responsible for their own travel, accommodation and boarding arrangements during the workshop in Lagos. TSA will provide assistance in the form of information and advice on available accommodation/boarding facilities to participants from outside Nigeria.
TSA Art Writing Master Class is organized by TSA Cultural Foundation in partnership with Goethe-Institut, Nigeria.
Master Class Program Director – Bukola Oyebode
Bukola Oyebode is an art writer, editor and publisher. She is the founder and managing editor of the visual arts magazine The Sole Adventurer (TSA). As a writer, she has made contributions to online and print magazines. She also writes for exhibition publications and has covered biennales including Dak’Art (Senegal), Venice Biennale (Italy) and Jogja Biennale XIII (Indonesia). In 2017, she was
editor of Intense Art Magazine special publication on women artists in Nigeria. Oyebode is a graduate of English from Lagos State University, Nigeria. She organises social and cultural development programs in the arts through TSA Cultural Foundation.
Master Class Program Lead Facilitator – Chika Okeke-Agulu
Professor Chika Okeke-Agulu is an artist, curator, critic and art historian. He is Director of Graduate Studies, Department of Art and Archaeology at Princeton University, and specializes in classical, modern, and contemporary African and African Diaspora art history and theory. He previously taught at The Pennsylvania State University, University of Nigeria, Nsukka, and Yaba College of Technology, Lagos. He began his career in Lagos as an art critic for the newspapers African Concord, Daily Times and Guardian.
He is the author of Obiora Udechukwu: Line, Image, Text (Skira Editore, 2016); Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria (Duke, 2015); and (with Okwui Enwezor), Contemporary African Art Since 1980 (Damiani, 2010). He is co-editor of Ezumeezu: Essays on Contemporary Art and Architecture, a festschrift in Honour of Demas Nwoko (Goldline & Jacobs, 2012); and Who Knows Tomorrow (König, 2010).
In 2006, he edited the first ever issue of African Arts dedicated to African Modernism, and his writings have appeared in African Arts, Meridians: Feminism, Race, Internationalism, Artforum International, New York Times, Packett, Art Journal, South Atlantic Quarterly, and October. He is co-editor of Nka: Journal of Contemporary African Art and maintains the blog Ọfọdunka. His many awards include Frank Jewett Mather Award for Distinction in Art Criticism (2016), and Melville J. Herskovits Prize for the Most Important Scholarly Work in African Studies (2016).